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Favorite numbers embrace an in-the groove model of Abbey Road’s “Come Together,” the novelty track with an excellent riff “Birthday,” a swamp blues-accented “Do It Within the Road” along with “Yesterday”-re-imagined as a cushiony blues rhumba. Then easing back, the dueling keys of John Pinekaers’ piano and Toby Marshall’s organ, it’s Dee’s deep intense vocals that “Take It To The Limit,” building a gospel intensity so soulful it took some time to realize this was an Eagles music. Drifting to a gentle sway, Dee croons over Marshall’s mild organ and Boom Boom’s harp as the cymbals dance across the rhythm and soulful backing vocals chime in like a horn section with Dylan Salfer playing some wonderful slide guitar on Derek Trucks’ “Midnight In Harlem.” Craig Clark steps to the front on vocals for Albert Collins “Black Cat Bone” as John Pinekaers sprinkles some juju on piano and Clark lays down some heavy mojo on his solo, driving his vocals to the edge. 온라인카지노 Then Craig throws down a heavy riff as Miller moans and cries that her man has been “Steppin’” out because the piano plunks out a protest and the guitar provides a thunderous reply till Dee steps in to set issues straight.

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